In The Past Hides The Future
(2023-2025)
Part 1
In a desert of stardust and silence, AI-born monoliths rise, photograms lost in the sand, lost in time. Echoes of the past, glimpses of the future. Between myth and matter. Are these AI able to see what we cannot see? A journey through time, space and creation.
The archeology of the unknown is what inevitably unites us, somewhere, there is an echo outside of time; in the infinite landscape of the desert the impossible becomes possible. It is the hidden story of our origin, the sculptural combination of natural, ancestral and universal elements, in a form of journey to connect us with creation.
These astral structures look as if they were created by aliens or by humans in another time. A legend on the top of a mountain, a cosmic energy, a portal; these monoliths are a mystery written on our conscience.
They appear and disappear; between sand, between stardust, between water, ice and clouds, between the natural and the supernatural, between what we know and what we do not know; these impossible sculptures emerge as a testimony of our deep connection with the cosmos, as part of history and at the same time of the future, as if they were part of this planet or some distant place in the universe.
A constant search; these images created with artificial intelligence are a kind of photograms lost in the sand, a reminder to search for lost knowledge, look up, aspire to the impossible, immerse yourself in the unknown and walk paths towards the light.
The past is the future.
Part 2
Like a dream unfolding in broad daylight, this second part rises: like a tower of sand and light, ephemeral and solid at the same time. A myth brought from the past and, at the same time, a reflection of the future. A bond beyond time, a memory of a place we never inhabited, yet that is always present.
In these visions, the energies of the universe condense and dissipate in a single gesture. Artificial intelligence becomes an eye of time, intertwining cosmic memory with human consciousness.
The primordial stones of the first part, with their millennial strength, transmute into impossible monolithic structures; forms unique to a territory where the tangible and the intangible converge.
Here, the sculptures cease to be static presences and become stages for the speculative. Each image is a moment of the impossible, an instant of metamorphosis where matter vibrates and merges with light.
Thus, the series opens onto a liminal space, where art becomes alchemy, myth is rediscovered, and the sculptures rise as bridges between ancestral memory and a possible future.
© 2014-2025